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"Excellent. The most valuable, detailed anatomical studies (which are also beautifully drawn) of all parts of the figure." — American Artist
"The best book on artist's anatomy available anywhere." — Art Students League News
Countless artists and students since the 1920s have used this and other books by George B. Bridgman (for nearly 50 years a teacher at the Art Students League in New York) for a solid foundation and understanding of human anatomy. They have found, and continue to find, that his unique way of discovering the vitalizing forces in the human form and realizing them in drawing carries the student pleasantly over one of art's most severe hurdles. Bridgman's superb anatomical sketches, of which there are nearly 500 in the book, also bring clearly to fruition his lucid theories of how to draw the human body in its structure and its complex movements.
Constructive Anatomy, an anatomical reference guide for the working artist, sculptor, and student, graphically shows important parts of the human body, both in motion and in repose — hand, wrist, thumb, fingers, forearm, arm, armpit, shoulder, neck, head, eye, nose, ear, mouth, chin, trunk (front, side, and back), pelvis, hip, thigh, leg, knee, ankle, foot, and toes. Drawings of bone and muscle structure of the working of the joints and the interrelation of the various parts of the body are mainly concerned with movement of all sorts — movements that are described in detail as well as illustrated. The bending, twisting,and turning, creasing and interlocking of the various parts of the body are represented in drawing as the wedging of masses in specific ways that are clearly defined by Mr. Bridgman.
Every artist will save tedious hours of research with this simple but effective approach, and will be delighted with its directness and fervor.
To master painting, drawing or sculpting the delicate lines of the human or animal form can demand a lifetime of study. Dover's art anatomy books are appropriate for both the beginning art student and the established artist too.
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Constructive AnatomyThis invaluable anatomical reference shows important parts of the human body, both in motion and in repose: hand, wrist, fingers, forearm, neck, thigh, leg, and more. Drawings of bone and muscle structure are also covered in detail. Over 500 illustrations. "Best book on artist's anatomy." - Art Students League News. | The Human FigureThis classic treatment by a master teacher offers clear, detailed instruction on drawing the human figure. More than 430 pencil and charcoal illustrations depict eyes, arms, feet, and other fundamental features. Topics include shading, curvature, proportion, foreshortening, muscular tension, and major and minor differences in the structure and representation of male and female anatomy. | Heads, Features and FacesA renowned teacher at the Art Students League of New York tackles one of the most difficult and often neglected areas of study: the correct rendering of heads, features, and faces. Placing as much emphasis on perspective and planes as on anatomy, Bridgman includes almost 200 instructional drawings plus texts and examples from the work of Vermeer, Rembrandt, and others. |
Mua sách Constructive Anatomy (Dover Anatomy for Artists)
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We based our evaluation of book condition on the following criteria:
* New: Just like it sounds. A brand-new, unused, unread copy in perfect condition.
* Like New: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind.
* Very Good: A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged.
* Good: A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or previous owner inscriptions.
* Acceptable: A readable copy. All pages are intact, and the cover is intact (the dust cover may be missing). Pages can include considerable notes--in pen or highlighter--but the notes cannot obscure the text.
