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Learn to draw beautiful flowers from the old masters with some help from Classic Sketchbook: Botanicals. Improve your skills by learning techniques on one page, and practicing on the next page.
Imagine learning to draw roses with Redoute, or tulips with Pieter Brugel. Imagine learning the secrets that made their flower paintings stand out in their eras and still stand out today. Classic Sketchbook: Botanicals is an art book that shows you how to create flowers that will stand the test of time by taking a close look at the details of great floral paintings, and then coaching you through the techniques.
Each spread in this unique book is made up of two hard working components: The left-hand page features a close-up illustration from a noted 19th century and earlier artist, and the right-hand page, made from quality, uncoated stock, is for drawing. There are also coaching tips, observations, and a demonstrative sketch on each page.
As you progress through the book, you'll get to try a variety of artists' styles, and see how to apply them to your own personal style. Don't wait to get started! By learning from the masters, you'll become a master yourself.
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Before |
AfterThe petal shapes here are defined by the shadows, striping, and leaves. Start with the leaves. Press firmly with a sharp white pencil to draw the central line of each leaf; then add the malachite green edges. Finish the smaller, lower leaves with moss green stripes. |
Before |
AfterDraw the pollen first with yellow dots made with a very sharp point and a little pressure. Next, lightly add the silky buds with mouse gray in short strokes round the edges and just a hint of scarlet on three buds. |
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Primula(Primrose) |
Lily of the Valley |
Tulip |
We based our evaluation of book condition on the following criteria:
* New: Just like it sounds. A brand-new, unused, unread copy in perfect condition.
* Like New: An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind.
* Very Good: A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged.
* Good: A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or previous owner inscriptions.
* Acceptable: A readable copy. All pages are intact, and the cover is intact (the dust cover may be missing). Pages can include considerable notes--in pen or highlighter--but the notes cannot obscure the text.
